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Schreiner | Schreiner Art Glass (Lava/Cats Eye) Dangling Earrings
. . . . Lavish!

$375.00
 SOLD

Juliana DeLizza & Elster
Watermelon Tourmaline Emerald Cut Rhinestone Full Parure
Juliana DeLizza & Elster
Watermelon Tourmaline Emerald Cut Rhinestone Full Parure
Juliana DeLizza & Elster
Watermelon Tourmaline Emerald Cut Rhinestone Full Parure
Juliana DeLizza & Elster
Watermelon Tourmaline Emerald Cut Rhinestone Full Parure
Juliana DeLizza & Elster
Watermelon Tourmaline Emerald Cut Rhinestone Full Parure
Schreiner
 
Dare to dazzle with these extraordinary earrings by Schreiner. This is such a beautiful pair of Schreiner earrings - signature on both earring clip backs. I am calling them cats eye because the center cabochons look much like those used in Juliana's creations. I don't see many Schreiner dangle earrings and especially not of such beauty and size. They are very large measuring approximately just under 2 1/2 inches long and approximately just under 1 1/2 inches wide. The center tiffany style set cabochon is surrounded by oval rhinestones of light lavender and accented by topaz chaton rhinestones. Light blue faceted beads dangle with more lavender rhinestones. These are extraordinary! ID-445

Measurements:
The Earrings — Approximately 2 ¾ inches long by 1 ½ inches wide.

 $375.00
SOLD
 
 

Schreiner Jewelry History —

Henry Schreiner (1898-1954), a jewelry worker born in Premich, Germany, immigrated to the U.S. in 1923. He opened the Schreiner Jewelry Co. in New York City, in 1932. His daughter Terry and her husband, Ambros Albert, joined the family business in 1951. After Henry died, they continued to produce Schreiner jewelry using the original molds.

The firm prospered in the 1950's-1960's, when their large, elaborate rhinestone jewelry was in style. During those decades, the company produced jeweled buckles, buttons, belts, brooches, necklaces, and earrings for all of the top American fashion houses. Clients included Pauline Trigère, Norman Norelle, Adele Simpson, and Christian Dior. Schreiner jewelry adorned models in many fashion shows as well as photo shoots for Vogue, including the covers of the June 1, 1952, and March 1, 1954, issues. Because of this exposure, the company never advertised.

Most stones came from pre-war Czechoslovakia, then from Germany (where the stones were made by Czech immigrants). Some stones were made especially for Schreiner. Their keystones (kite-shaped crystals that were Schreiner's signature stone) were made by Czechs in post-war Germany. These stones were used in the ruffle pin Terry designed in 1957 and in Maltese crosses.

No trademark was registered for the company. Only pieces made for department stores were stamped "Schreiner" or "Schreiner New York". Jewelry made for the fashion houses was not signed. Even without the maker's mark, many Schreiner pieces can be identified because of their distinctive style, elaborate designs, and high-quality of materials.

Typical characteristics include the following: unfoiled and inverted (i.e., set upside-down) stones, both intended to pick up the color of the material beneath them; large, unusually-shaped crystals; dome-shaped brooches; unconventional yet imaginative color combinations; large triangular prongs; japanned settings; and hook-and-eye construction. Schreiner's pieces were set and finished by hand, so the output was limited. Huge bib necklaces and parures are especially rare.

 
Having trouble with the small sizes of yesteryear? Well, most of us do!
The ladies were smaller than the women of today.
NO Problem, be sure to check out our necklace extenders.